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Why Does Concept Matter So Much? Simple: no one cares about how brilliant you think your idea is. They literally [1] only care about how much money it’s likely to make for them. Yeah, sorry. Someone probably forgot to tell you that in film school. That’s most likely because the film school was more interested … Read more
How to make your idea idiot-proof! What are we going to get from this movie that intrigues the listener? When they want to know more, they will listen attentively to your pitch. There are two distinct sides to pitching. If you don’t have a good presence and you can’t get behind your own idea, then … Read more
Not All BS is Bullshit Just some of it, like the BS2 Beat Sheet Sometimes it’s easy to forget the value of the classics when they’re misinterpreted and reappropriated by the great unwashed.1 I’ve been charitable enough to re-read Save the Cat recently, and I am pleased to say that there is some useful stuff … Read more
Getting High With Concept Or… the Tyranny of Michael Bay Let’s get a bit deeper with when and where we encounter High Concept. Maybe we’ll even finally find a couple that don’t suck. Sorry, Michael Bay. You may notice that a disproportionate number of High Concept films have science fiction or fantasy elements. It’s possible … Read more
The Presuppositions of Screenwriting When you presuppose, you make an ass out of “u” and “me” It’s funny the things that we assume, or presuppose, just to get any work done. One of the major things that we assume–a “presupposition,” if you will—is that people will be affected or influenced by our writing. After all, … Read more
Two Approaches Analyzed… As they say*, don’t ask for permission; ask for forgiveness. Sometimes the biggest block to writing is thinking that you can’t imagine you’d be able to write anything useful. People who are sensitive enough to write well are often prone to this, but there’s a way around it. The flipside of this … Read more
What Makes a Good Scene And Why Newbies Often Write Shit That Isn’t a Scene There’s nothing quite like reading the work of new writers. Ah… fresh meat writing fresher meat. It’s often a mishmash of scenarios that aren’t actual scenes, and lots of scenes that don’t really mean anything to the plot as a … Read more
Mysticism vs. Structure in Screenwriting The paint-by-numbers approach just kills the wonder, doesn’t it? Let it all hang out when you’re writing, and apply structure when you’re editing. Just go for it, balls to the wall. Clean up the mess later. Ask for forgiveness, not permission. Get it yet? The fact of the matter is … Read more
All Screenwriters Are Assholes (Relax; I’ll tar myself with that brush first…) Anyone who wants to be a screenwriter is an asshole. This probably includes you as well. So that’s you, me, and anyone else who’s ever even heard of Final Draft. All assholes! To paraphrase Plato in the Republic: only those who do not … Read more
